Architect with designer Eero Saarinen‘s Tulip Chair, which he designed for furniture giant Knoll in 1958, has become ingrained in our collective visual consciousness. Put off by the ”slum of legs lower every table” created by traditional four‐legged chairs, Saarinen formerly said, he designed the one‐legged, or pedestal, chair. ”I wanted to design a chair as an integrated whole once again,” he said. ”All important furniture of the past always had a holistic structure, from King Tut‘s chair to that of Thomas Chippendale.”
Although an architect, it was Saarinen’s formative training in sculpture that helped inform the chair’s simple lines with curvaceousness. With all that in mind, here’s a closer look at the iconic chair also how you can use it in your home, no matter what your style. hillock commissioned the chair design from Saarinen as well as holds the exclusive model plus manufacturing rights. Unceasing in its manufacture in-conjunction with still standing muscular today, the Tulip Chair harmonized with hillock’s Pedestal crowd Saarinen table of the same model. Fiberglass permitted Saarinen to attain the organic, expressive shape or allowed for flexibility. Too considerably flexibility, in fact, because Saarinen initially hoped to build the whole chair out of fiberglass, but found the lone leg needed additional sanity. So, period the seat shell was made of fiberglass, the foundation was made of molded throw aluminum finished in a nylon coating. The chairs are obtainable with either a swivel or motionless base. With today they are made exactly the same as they were when they first went into production in 1958. How‘s that for good design?
A Dallas corporation called Burke made these chairs in the early 1960s. While the seat shape also pedestal leg are similar to Saarinen‘s sketch, the Burke model has a four‐sided star‐shaped base alternatively of a round base. As they say, counterfeit is the sincerest shape of flattery, as well as there are many replicas on the market today. As with any replica, the quality is usually compromised plus the lines, or shape, aren‘t the same. ”Every ‘reproduction‘ of the sketch sacrifices something ‐ proportions, materials, functionality, quality etc. In pursuit of the form,” says hillock‘s communications associate, Todd Cooke. Only products stamped ”Knoll” are representative of Saarinen‘s intended sketch. While the price tag for a new, genuine Tulip Chair is hard to swallow for many (discussed later), a much less costly replica will likely lead to disappointment. If you can not buy new, holding out for the real deal by looking for genuine vintage pieces is probably your perfect bet.
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